Hey guys,
I have been a lurker on these forums for a very long time now, and have learned a great deal through the discussions here. While I am not using AGS (Shock! Horror!), I really wanted to share the development of my game with like-minded people-and these forums are definitely the most active of the AG Developer communities.
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(http://www.stasisgame.com/wp-content/uploads/2010/12/Image4.jpg)
www.stasisgame.com (http://www.stasisgame.com)
“Daddy, please help us…”
.
Disoriented, drowsy, and in pain, John Maracheck opens his eyes. Nothing greets him, but the static of a nearby monitor, and a cold steel floor. Thick green liquid covers the floor and his body, leading to a nearby, steaming stasis-pod. He slowly gets to his feet, trying to take in his surroundings. Where is his wife? His daughter? What the hell is going on….?
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What is STASIS?
.
Stasis is an adventure game, that puts you in control of John Maracheck. a man searching for his family, in a seemingly abandoned research facility. Going back to classic adventure game mechanics, you have to solve puzzles, and use objects around you to progress, and to find Marachecks family.
Graphically, Stasis is fairly unique in the adventure game genre, opting for highly detailed isometric graphics, as opposed to the more classic ‘side on’ views of other adventure games. Richly detailed rooms and fluid animations create an immersive environment for the player to explore, with danger lurking in every shadow.
The stasis-plug suit gives you direct access to an Emergency Medical Kit. A piece of equipment that has the ability to break down any object of a certain weight and size into its base elements, and store it for future use. While normally it is used to store small medical supplies, Maracheck uses it as an easy way to keep and transport found objects. Objects can be stored, accessed, combined, and brought back into the ‘real’ world at any moment.
At its core, Stasis is a story about an ordinary man, in an extraordinary situation.
Trapped in a place where humanities horrors come out to play, how far would you go to protect your family?
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Welcome to The Groomlake. We know you will enjoy your stay.
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The website has a few screenshots on it, as well and here is the first 5 minutes of game play:
I would love to hear your guys thoughts and comments on the game!
-Chris (http://www.youtube.com/watch?v=61ILFgiYaRU%5B/url)
Looks fantastic. The url to the video doesn't seem to be correct though.
As for posting in this thread, it's reserved for AGS games only. But it'll probably get moved to Adventure Related by a moderator.
The lighting, angle and small details definitely reminds me of the first Starcraft.
Hey man...link fixed. ;)
Yeah-I thought about the general AG stuff, but figured as this was in-development this would be a more appropriate thread. Of course, the mods know best!
Pretty, reminds me of the gold ages when we had games like Baldur's gate and such, before they started going apeshit insane with low quality 3d junk.
Hope you'll get it done.
- Alan
Looks reaaally awesome. I really like the graphics(the backgrounds and the effects looked quite cool on that gameplay video). Good luck with making this really cool game! :)
Looks really cool!
What engine are you using to make it?
-Bill
I think we were all drooling over this project a while ago. Really glad to know it's going and still gorgeous.
Quote from: poc301 on Tue 27/09/2011 18:10:59
What engine are you using to make it?
Visionaire Studio
I'll admit that the user interface seems a little confusing. Also the computerized voice was a little chunky, especially the first clip since I couldn't understand it for the life of me.
Shouldn't he be standing in the center of the scanner? It looks a little odd to have him past the center mark. Or am I understanding this body scanner wrong?
All the smoke and dust effects looks fantastic though.
As mentioned, I am using Visionaire.
The interface is context sensitive. If you move the mouse over something that can be scanned, the icon will change to scan, move it off it, and it changes to walk.
Left click scans, and where applicable, right click interacts. The idea is that it's very easy to explore the environment, where playing the game almost becomes like an interactive story.
Inventory wise, you just move the mouse over the inventory to open it. It appears quite sensitive in the video because the lag from the screen recorder buffered with the mouse! Since the video however, I have added a second of 'lag' to the closing of the inventory, to avoid the 'open close open close open close' thing!
I am really trying to make the interface as 'unobtrusive' as possible, allowing the player to be immersed in the game world without having to deal with separate inventory screens, menu's and such. I'm even trying to do away with save games, using an autosave function that will quickly save the game on not only a time based system, but also when certain important events are triggered, like items are picked up or major story points are revealed. You will of course be able to save and load manually, but I want to have the player really just enjoy the game, and not stress about saving games.
I see what you mean with the scanner. Initially there was a console at the back of the scanner that you had to interact with, so the hotspot is set to there-but I agree, changing it to the center will flow much better. :)
That looks really good - I would love to play!
Good luck for this project - (http://www.smilie-harvester.de/smilies/Girl-Power/girl90.gif)
TRAILER LINK:
http://www.youtube.com/watch?v=XdSeRM8vs24&list=UUwL6cZzErxErn2Wmmw1887Q&index=1&feature=plcp
Hey guys, Wanted to show you the latest Trailer for STASIS. I'm still hard at work, and have moved onto some of the Cinematics for the game as well. There is also some new in-game footage, and a bit of back story. ;)
Happy for comment and crit!
Absolutely ballbustingly gorgeous as usual. Good job, man!
I like where you're going with this and the images have the proper mood for a sci-fi mystery. I look forward to seeing more.
Thanks guys,
There is much more to come. ;)
I agree with Alan V Drake that it is reminiscent of Baldur's Gate style games, and that is amazing and makes me want this twice as much!
Just chipping in here to say this looks amazing. I first saw it at the cgtalk forums. Great atmosphere and visuals. good luck with the project. Good to see good games made from my country men! ;)
i'll be following progress.
Teaser #2...
http://www.youtube.com/watch?feature=player_embedded&v=Ob6sBsxf2YE
Enjoy. ;)
Again, brilliant. Keep up the great work.
Seems there's now a demo of this available if you're willing to let people you know there's a Kickstarter campaign coming on monday. Details here (https://twitter.com/StasisGame/status/396546430133088256).
David Ostman, cheers for posting it.
...and boo for being forced to promote the kickstarter to check out the demo. I'd gladly do so voluntarily, but now I lost any desire to do either. >_>
Yeah, for what it's worth I'm posting about it here just because STASIS looks really cool and people should know about a demo being available, but I'm kind of with you on this one (haven't, and won't, ask about the password). I generally refuse to play along with this sleazy internet marketing shenanigans out of sheer principle. Don't take it the wrong way, Chris (I'm sure you will read this), but when I talk about it being sleazy I mean it feels more genuine if you'd just appeal to people's willingness to retweet/post/help out instead of locking your content behind a wall. I know you want to drum up as much publicity as possible for your Kickstarter but doing it the way big publishers' hired PR studios do it probably won't net you the goodwill you'd otherwise get.
Edit: Grammar and stuff..
Hey guys,
I actually forgot about this thread, so thanks for bringing it up again!
In regards to the demo password, the reason I did it was to throttle the downloading of the demo before the release. This demo is going to essentially form the backbone of the campaign, which will heavily influence the future of the game. I needed to make sure that it all works perfectly before Monday!
While I did as much bug testing as possible, I'm sure you guys know that you only start to find those obscure game-breakers once a few hundred people have played the game. To release the demo fully, without having that sort of heavy feedback and stress testing could be disastrous. There was an even smaller 'closed' demo release on Wednesday that had me completely redo the save game systems, and a large chunk of the games interaction.
The demo is also pretty big (1.1 gigs), so to do changes and re upload is a mission for me in South Africa - where bandwidth is very pricey, and the internet is very slow!
I certainly didn't mean for it to come off as a PR stunt-mainly as a way to 'slowly' release the demo, and have the ability to control the spread of the demo into the world - stopping it if need be!
I hope that you guys to give the game a spin when the demo goes live tomorrow!
It really sounds like you've complicated things unnecessarily. So your demo isn't ready for public demonstration yet, and your solution for that is... manipulating people into not wanting to download it?.. Why not just polish the demo and make it presentable enough? Perhaps, by making it shorter. You're probably right in that the demo will be the face of your game but I think you're approaching it from the wrong end. Because the way I see it, usually you want as many people as possible to play your demo. People are terrible at judging unfinished things, but you gotta draw a line somewhere and just accept that, because if your demo is generally nice and playable, hopefully the impact will mostly be good.
So why are you doing it this way? Are you running out of time and money?
STASIS Kickstarter (http://www.kickstarter.com/projects/bischoff/stasis-2d-isometric-scifi-horror-adventure-game) is now up.
Pledged! (nod)
Pyke, the game looks great. One thing though: please get someone to proofread the game before release. That KS page has a few too many typos and other mistakes to be entirely reassuring. Also, if you're going to be recording voices, get a better mic setup. :-D
Definately backing this. :cheesy:
Phenomenal stuff! Fingers crossed, Chris :)
Sorry for taking so long to get back here!
Quote from: qptain Nemo on Sun 03/11/2013 17:44:07
So why are you doing it this way? Are you running out of time and money?
The game is being done in my spare time, and has been for the past 3 years. It was technically running out of time and money from the moment I started it!
Getting a professional copy editor is one of the reasons for the KS campaign, so the final game should be devoid of (most) grammatical errors!
You guys may be interested in this:
https://www.youtube.com/watch?v=zShgejAx03E
It was a really fun round table discussion with the other guys involved in current Adventure Kickstarters! Even Dave Gilbert stopped by. :D
If you guys have any questions about STASIS, the campaign, or pretty much anything else, just ask!
The demo is now available for all. It is in torrent form for the 1GB download with many seeders it's a fast dl.
http://www.stasisgame.com/getstasis/
It was made available for all on the day the Kickstarter launched. It was only if you wanted even earlier access to it that you had to go through some internet marketing loopholes.
I thought the demo was quite interesting from a technical and visual standpoint. Very professional presentation. I just found myself losing interest fairly quickly because the lack of other characters to interact with. I'm just not one of those people who get much enjoyment out of exploring a setting like this.
Looking forward to giving the final product a try, because I think there'll be more stuff that I enjoy that will be added :) and a huge congrats on the successful Kickstarter to Chris!
Does the demo end after the injection or did it crash on me?
Regardless, it's absolutely stunning work, at least in terms of visuals and atmosphere.
The demo has a definitive "coming soon..." end screen when you finish it.
I wrote up a Post-mortem about my Kickstarter experience. If you guys have any questions, please don't hesitate to ask!
When Nic and I decided to take on Kickstarter we wanted to run the smoothest and best campaign possible. Now, while the road certainly wasn't without its bumps and bruises, I think that the campaign for STASIS went remarkable well.
Below are a few thoughts and things to consider when setting up your own campaign. Some are obvious, and others are things that we only realized once we were neck deep into our campaign.
SETTING UP YOUR KICKSTARTER CAMPAIGN
When you're planning your Kickstarter campaign, it's very easy to be caught up in the excitement and forget a few fundamentals when dealing with Kickstarter. One of the main points to remember is that Kickstarter has to verify your campaign before you're able to hit that big green launch button.
This can throw a spanner in the works of any 'preKickstarter' marketing campaign you're planning, as this is a manual process and could take a little longer than expected. You are completely at the behest of Kickstarter's all-too-human managers who have to manually sift through your campaign – amongst others – to ensure that you have met all of their requirements.
I'd recommend that you set up the base skeleton of your campaign as early as possible, and submit it to Kickstarter. You're able to modify the campaign indefinitely afterwards, right up the launch.
We didn't do that. We put the entire 'final' campaign together, announced our launch date and submitted to Kickstarter with (what we thought) was a healthy lead time. Our idea behind this thinking was that Kickstarter would be awestruck with how complete the campaign was, that they would approve everything in a day or two.
After a week, our mistake started to loom over us. With our announced launch date closing in fast and little feedback from Kickstarter, we halted our plans and pushed our dates out. In hindsight, this was possibly the best thing we could have done for the campaign (more on that later!), but at the time it resulted in sleepless nights and frustrated emails!
USE THE PREVIEW LINK FOR FEEDBACK
When you're setting up your campaign, you can share a preview of the incomplete campaign in order to get feedback. We planned the campaign by looking at other successes and failures, reading post mortems and generally going on our gut about what would work and what wouldn't. Once we had external feedback and opinions on our campaign, we could adjust things accordingly.
Those that are providing feedback are your end users. At the end of the day, you aren't trying to sell your product to yourself – you are trying to sell it to other people, and feedback from YOUR TARGET AUDIENCE is probably one of the most important and valuable things you can do.
DECIDING ON YOUR DATES
We picked November for our Kickstarter launch. The chosen month was due to our personal deadlines and current work schedule. To be honest, it probably wasn't the best month to launch! We had to compete with Call of Duty, the Next Gen console launches AND Thanksgiving holidays. Had we released a month earlier, perhaps the ride would have been much smoother – but having said that, it was a case of November 2013 or February/March 2014.
When choosing your dates, keep two things in mind:
1 – Your audience. Are there any public holidays coming up? Thanks giving, Easter, Christmas, Summer vacation...all of these factor in whether pledgers have access to extra money, and B) have access to a computer and the internet.
2 – Your schedule. Anyone who has run a Kickstarter campaign can attest to the fact that it's almost a full time job. You need to put in an insane amount of time! We had three of us running different aspects of the campaign for the entire 33 day run.
Managing press, managing Kickstarter itself, Steam Greenlight, community management on other forums, YouTube Lets Players, technical support on the Alpha, cataloging feedback and emails, updating press lists, spell checking interviews and releases...all of these take a HUGE amount of time, so ensure that you do it when you have available time!
For Nic, Kristal and I, it was especially difficult because we also have a business to run at the same time.
THE CAMPAIGN PAGE
So you have your game, you have your Kickstater page waiting for info, you have decided on your dates – now what?
The campaign page itself is your gateway to success or failure. When we were setting up the STASIS page, we looked at hundreds of other campaign pages – noting points and aspects we liked from each and interpreting them with regards to STASIS.
Consider the use of animated GIFS. Having that small element of movement can really bring life to your campaign page. We chose to have actual gameplay in the GIFs, which went along with our philosophy of IT'S ALL ABOUT THE GAME. We had an actual game to show, not just a concept and that formed the core of the entire campaign.
You are going to get A LOT of traffic through Kickstarter, so be aware of that when hosting files externally. Even what you perceive as small things, like externally hosted screenshots, can bring your server to a grinding halt and end up costing you a lot of money. We hosted all of our external files on Amazons S3 hosting service, ensuring that we never had crashed servers or stressed out phone calls.
The first thing that page visitors should see is the most important points of your campaign. We started out with our video with the game trailer, showing actual gameplay footage. Another important piece was a link to the STASIS Alpha download (right at the top of the screen), followed by bullet points about the game and then screenshots. Assume that a person visiting your page isn't going to scroll down to find out more. Once you have them scrolling, you can start to add in extra information about the game and more about the campaign.
TIER PRICING AND STRETCH GOALS
There are articles available about choosing the correct tier prices, so my advice would be to look at other campaigns that have been successful and see how their pricing points were set up. I feel it's important not to have too many 'big leaps' in pricing, and initially, I'd avoid mega tiers (in the $1000 and up range); this can easily cripple you at a later date. Having just one mega tier pledger pull out on the last day could kill the success of your campaign.
In the planning of our campaign, we decided that in the long run it was better for us to have a larger pool of backers at smaller pledges than a small amount of backers at larger sums. This was a community driven approach which helped us during the later parts of the campaign – we could have called on a large group of interested backers to increase their pledges by a small amount, if we ran into trouble.
We also chose not to round off the pledge amounts. A hundred years of retail conditioning has informed us that $19 is psychologically less than $20 and we wanted to apply that to our tier amounts.
Stretch Goals are a bit of a touchy subject, but I will say that they are important in a campaign. We were careful in our choice of goals to not include anything that would affect the integrity of the game and its story. In a way, it was a disadvantage coming to Kickstarter with Stasis in the state that it is in because we are very limited by changes we can make to the game – but again, our core philosophy of 'It's all about the game' won out, with our Stretch Goals adding to the world and the experience, but don't alter what we are trying to achieve.
PRE LAUNCH!
Time to hit the green button? Woah there! Not so fast! You want to hit the ground running. Having a prelaunch strategy is as important as having a launch strategy. As I mentioned earlier, our prelaunch dates were thrown out by the delay in Kickstarter approving the campaign. During this delay, we decided to spend some more time polishing up the Alpha demo and doing a soft Alpha launch in exchange for a retweet.
We added a countdown to our web page and contacted a few websites for interviews to be released on Launch Day.
Our Alpha demo was combined with a small prelaunch Twitter campaign, where access to the demo was password protected with the password being released to anyone who either tweeted about Stasis or otherwise put the word out.
All of these pre-launch ideas gave our campaign a strong start, something that is important to any Kickstarter. Having a strong start makes backers more confident about the project, and more willing to put their money down!
THE ACTUAL CAMPAIGN
We launched our Steam Greenlight campaign within a few minutes of the Kickstarter. This helped by using the HUGE amount of traffic that Steam gets to filter through to the Kickstarter campaign, as well as allowing the Kickstarter coverage to lead directly to our Greenlight page.
We hit the top 100 on Greenlight in a week and then the top 4 in 3 weeks; we leveraged the press and internet buzz and pushed traffic to Greelight page and from Greenlight to Kickstarter.
The running of a Kickstarter campaign really is a full time job. We had a few philosophies that we stuck to during the entire campaign run.
1 – Reply to requests for interviews as soon as possible. We tried to get back to journalists within 24 hours of the request. This kept the news about Stasis constant throughout the campaign, with new articles appearing almost daily.
2 – Custom answers all the interviews! This one was important for me, because often I have read interviews where the same 'copy and paste' information from the developers and the same quotes tend to pop up. We wanted to make sure that each interview and article was given the respect it deserves! Online press and journalists are the life-blood of any indie.
3 – Phase your Kickstarter events. We gave away several wallpapers, a new game trailer and even the Stretch Goals until we felt that it was time to get them out there. In the world of indie games, news travels fast, and new news becomes old news quickly.
We had some large announcements during the campaign, along with free giveaways. The idea was that even in the slow days, there would be something interesting on the page – something that people could talk about. You don't want to give away EVERYTHING on launch day – hold some announcements back.
4 – Don't discount social media! Social media (our focus was on Facebook and Twitter) was a driving force behind much of Stasis's success. Social media allows for personal stamps of approval on your game and as many advertisers will tell you, word of mouth is the BEST advertising you can get.
Don't only tweet about your game to other gamers. There are THOUSANDS of people out there who may not be gamers, but will still be interested in your game. I even tweeted Ridley Scott in the hopes of a reply!
We had a page on our website which had easy to access quick links to help promote Stasis. With one click you could post about the game on Facebook or Tweet about it.
Twitter paid advertising is surprisingly effective, but could get very expensive very quickly. We spent $200 and got some fantastic targeted tweets, which lead to a few hundred Alpha downloads (and hopefully a few pledges).
5 – Heavy Focus on "Lets Players". We put a lot of focus on getting the game into the hands of Youtube authors. The Lets Plays are a FANTASTIC resource for people to get excited about the game.
Stasis is a difficult sell in the world of quick, easily accessible games because you have to clear time and sit down to play it. It's not a game that you can quickly experience on a lunch break – so having the videos of people doing exactly that let those people who didn't have the time play the alpha.
When engaging Lets Players, be sure to give them permission to monetize or otherwise use your game on their channels. A simple webpage with all the information and permissions can do this.
6 – Give the press easy access to information. The press is your mouth piece – you want to make it as easy as possible for them to get all the information they need. Having a clear and concise Press Kit is ESSENTIAL. This must not only have all they may need to write a story about your game (logos, names, screenshots), but also links to all previous press releases. The longer that a journalist spends trying to sift through mountains of text to get the relevant information; the less likely they are to promote your game.
The press kit, combined with the 24 hour interview rule got Stasis a massive amount of coverage.
You should also write and format Press Releases correctly – be sure to check out our website or search for examples on how we did this.
A quick note on the press releases – build your own targeted email list.
7 – Cross promotion with other Kickstarters. Something that I had no idea about before we actually started running the campaign was the power of cross promotion with other Kickstarters. Look for other games in your genre and contact the developers running it. I have only had good experiences with other campaign runners.
GENERAL THOUGHTS
The lynch pin in the success of the Stasis Kickstarter lay in our Alpha demo. If you are planning a Kickstarter, I cannot stress enough the importance of a demo. Potential players want to experience what they are backing and the most direct way to do this is through a fully functional demo.
We hosted the Alpha demo on Amazons S3 service ensuring that people had constant access to it throughout the campaign. We also released a torrent of it (hosted for a while by some friends and incredible volunteers) which kept the costs down.
We have had over 40,000 Alpha downloads at 1 gig per download; this would have swamped our webserver. Don't assume you can serve that many downloads off your VPS or shared hosting platform-it will be disastrous – a day of downtime and you may spoil your campaign.
PayPal donations came in thick and fast once our main goal had been met. Nic had the PayPal page set up so that we could go live with it as soon as we were comfortable. Nic had a meeting with Paypal and their crowd funding department reviewed the page and gave us some pointers. Crowd funding has become a legal grey area in many ways so it's better to contact them and just make sure that everything is in order.
IN CLOSING...
After 33 days we managed to hit our $140,000 goal.
For an unknown developer on an unknown license hitting that magic $100,000 mark was an incredible feeling, but an exhausting experience! It was a month of extreme highs and lows, but I wouldn't have changed anything about how we ran our campaign.
I wish anyone looking at going this route a lot of luck! Buy extra coffee...you are going to need it!
You can check out our campaign page here:
http://www.kickstarter.com/projects/bischoff/stasis-2d-isometric-scifi-horror-adventure-game
Our post Kickstarter Pledge page is here;
http://stasiscommunity.com/pledge/
I still lurk here really often, so I wanted to keep you guys in the loop. :D
A TRAILER SHOWING SOME OF THE NEW ENVIRONMENTS IN STASIS! (http://"https://www.youtube.com/watch?v=UwnOOZ_ZM38")
LINK TO THE KICKSTARTER UPDATE (http://"https://www.kickstarter.com/projects/bischoff/stasis-2d-isometric-scifi-horror-adventure-game/posts/820041")
I'm at the four month mark of full time development on Stasis!
The majority of the Alpha bug fixes and new systems have been done and dusted, and so I have been able to move onto entire new and exciting Stasis environments.
The medical suites are stark and white with a vastly different aesthetic, compared to the rusty, industrial grime you've seen so far. It's refreshing to work on a new experience point with an unfamiliar tile set. I've also now created the medical puzzle that was alluded to in the last update.
(https://s3.amazonaws.com/ksr/assets/001/915/167/25fc591f1cd99cf5ee17946ca811c548_large.jpg?1398245160)
NEW MEDICAL LOOK & FEEL
(https://s3.amazonaws.com/ksr/assets/001/915/426/8940cf2c4c30c5a1de68617112081726_large.jpg?1398252593)
CONCEPT ART
(https://s3.amazonaws.com/ksr/assets/001/915/353/cc70aabfd6467cc8005e95183da3f245_large.gif?1398250927)
(https://s3.amazonaws.com/ksr/assets/001/915/361/6a0f813584923a1ea1caf0593cb24f50_large.gif?1398251056)
SCREENS FROM THE ABOVE CONCEPT ART - IN GAME
.......
"The skeletal remains lie clustered together around the room, as if they died in a stampede, or clutching each other. Somehow the bones hold no scraps of flesh."
We've received some new writing from Christopher Dare and it is excellent! I can already see how the extra depth of this writing will echo through the environments, and really draw a player in.
I'm now moving onto the Hydroponics Bay... wish me luck :)
AND SOME MORE ART!
(http://stasisgame.com/temp/Sewer2.jpg)
(http://stasisgame.com/temp/Sewer1.jpg)
-Chris
Looks amazing Chris, i'm really in awe of what you've achieved. We need more games with pre-rendered backgrounds and killer atmosphere, I miss the playstation era.
Looking forward to the release :)
This really looks incredible.
Chicky...your avatar is annoyingly mesmerizing...
But thanks so much for the comments! I love pre-rendered 3D art...I find that its much more 'personal' than the low poly stuff, and acts as a nice bridge between the traditional 2D stuff and 3D works.
I think that the future will have many more pre-rendered 3D games, so that era may yet see a resurgence!
Sunny - thanks!
I'm really impressed by the quality of work on this project. I'm 'almost' sad it's not an rpg like Fallout with such great visuals and the angle and such but I'm sure there is plenty to do in the game without combat :).
Thanks so much Shane.
I would love to do a 'larger' game at some point, but its still currently just myself working on the game (for the majority of the work at least!). I recently hired a writer, and we have an amazing composer on board, so I am slowly getting used to delegating the work around!
That said...I don't know if I could ever leave the Adventure Game genre behind. It really is just an incredible vessel for stories and games...every time I sit down to think about game design the result is inevitably something around the AG mould!
KICKSTARTER UPDATE! (https://www.kickstarter.com/projects/bischoff/stasis-2d-isometric-scifi-horror-adventure-game/posts/940503)
https://www.youtube.com/watch?v=tDywToYQUrw
Music is incredibly important to me. While I'm usually a I-can-do-it-on-my-own person, I knew that having the perfect music for Stasis would mean having to find a pro.
One of the main goals of the Kickstarter campaign was to bring on a professional composer to translate the Stasis world and story into music. That is way easier to say, than do!
When Mark Morgan asked to be a part of the project I almost fell off my chair. It's no secret that the Fallout series was a transformative experience for me when I was younger; to have Fallout's composer work on this little project of mine... well, I was more than a little intimidated!
From the get go, Mark and I shared the same vision for the sound of Stasis. The main sounds of the game come from John's surroundings (you know who John is by now!) but the music comes from within. It's his experience - his personal story - that is being told through the score. Mark instantly understood what I was trying to put across and has created a haunting internal score.
The idea was to have a strong melody base around a lullaby. Creepy, huh? There are early leanings towards this idea in the trailers, as well as the opening piano music in the Alpha (played by me when I was in my I-can-do-it-on-my-own stage). Mark took this concept and created a beautiful melody that we are using as a foundation for the score.
Instead of focusing on scene based music, we're using the score to accentuate John's emotions. HOPE, FEAR, TERROR: these are the central themes for the music of Stasis - the skeleton that everything hangs off of.
I'm incredibly proud to give you a small glimpse into the musical world that Mark has created.
https://www.youtube.com/watch?v=tDywToYQUrw
Q&A WITH MR MORGAN!
The main lullaby is a strong piece of music as a melody - something I know that was difficult to pin down. When creating 'Dream Of Us' (the main lullaby tune), what were the inspirations for the piece?
Mark Morgan: To me, it was about John singing a lullaby to his daughter so I envisioned what that would be like and went for a simple melody that could be sung by itself.
Is it difficult to create the emotional aspects from this melody? Do you draw from previous experiences? Or is it a process of trying different keys and instruments and seeing what fits?
Mark Morgan: I think it's a combination of both. The goal is to have a melody that can speak to you differently depending on the vibe. I believe that it all indirectly comes from your existence and experiences as a human being, rather than finding that emotion though the music. Certain orchestration portrays a certain emotion. Both Chris and I decided that for the more emotional pieces, cello, violin and piano would be the solo voices for the sound of Stasis. Then it's just a matter of fitting the puzzle together.
While John's external journey is being told visually, his internal journey is being told through the score. Are you still using the visuals as inspiration or does it help to focus JUST on the story elements?
Mark Morgan: I think for John's internal journey, musically I am focused on the story elements but I'm always aware of the visuals so not to lose sight of where he is. The visuals directly or indirectly have a huge influence on the musical palette.
Is working on Stasis any different to the other game projects that you have worked on, and if so how?
Mark Morgan: As of late, most of the games I'm involved in are in some way story driven, but in then case of Stasis, the story is so important and the music plays a huge role in telling that story. Sometimes I have found when it's just about gameplay, musically it's hard to feel that you're immersed in the moment. It becomes about broad stokes as opposed to written for the moment.
PROJECT UPDATES
We are past the halfway point and things are moving as smoothly as ever! Nic and I have spent the last few weeks focusing on our writers, even adding another to the team. Mark Odell has provided us with an incredibly terrifying piece of writing. Each body you find has a story to it and exists as a small piece of the puzzle. It's satisfying to see all of this come together.
Graphically, the game is pushing to completion. 90%, with one final scene being added. I'm purposefully leaving this screen towards the end of production because of how intense it will be to produce.
I've also been implementing some additional effects - courtesy of the latest release of Visionaire. GET IT HERE! The implementation of camera effects and screen shaders will add extra life into Stasis.
The script has only the last two chapters to be completely refined before we can send it to the copy editors and the voice artists. There will be a time when I have to say, "enough editing!", but until that day, I will continue to tweak!
-Chris
An update showing the new lighting in the game..
https://www.youtube.com/watch?v=g4EE76yb5uM
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Hey all,
Im about to join the few and the proud - people that have FINISHED CREATING A GAME! Now granted its still a few weeks away, but we are in the final stages of production (essentially polishing it all up!) and getting ready for release.
Here is the games trailer:
https://www.youtube.com/watch?v=ACFynCVApZ8
And a link to the Steam page:
http://store.steampowered.com/app/380150/
So far the reaction to the beta has been very good - so Im hoping that people will really enjoy the final game when its out.
It's also coming DRM-free, to GOG! :grin:
http://www.gog.com/game/stasis
Ah yeah - was still waiting for the GOG page to go up when I made the above post. :D