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#261
The Arcana Asylum

   The bells of the clock tower peeled six times through the darkness, signalling that curfew was over and the town was now open for business.  Ibor shuffled along the narrow alley a little less furtively now that it was legal to do so, wheezing more audibly and allowing his left leg to drag more lazily behind him.  His coat bulged grotesquely in places where it shouldn't, but being a hunchback with a predisposition towards strange cysts and tumours meant he was unlikely to be challenged or searched.  Indeed, on the very rare occasion that he crossed paths with the nightwatchmen the twisted hunchback was afforded quite a wide berth.

   Another twist through the half-timbered streets and he arrived at his little shop.  The store front was narrow, with only a small window three panes wide and two high (four still glazed, although Ibor noticed grimly that yet another was now cracked).  A low door with rusty hinges that squeaked ominously helped to deter shoplifters and Scandinavians, and a faded sign completed the façade: The Arcana Asylum.  Ibor stood a little straighter as he filled with pride at having at last become the proprietor of his own enterprise. 

   Some quiet jingling of keys to his right indicated the arrival of Mrs. Threadmare at her seamstress shop next door.  Ibor waved at her cheerily, although she squeaked quickly through the front door like a scared mouse at the sight of his claw-like fingernails scratching in her direction.  Oblivious to the social nuance of her flight, Ibor forced his own key through the rusty lock of his shop door, the sound of the rusty mechanisms reminding him of the dungeon he had worked in for so many years, scrimping and saving and dreaming of rising in life. 

   He entered the shop, carefully turning the window sign from “Bugger off, we're closed!” to “Bugger in, we're open!”  He hit the lights, literally smacking them to get the glow bugs to flicker on, before removing his latest inventory finds from his coat.  The first was a run-of-the-mill skull, 6 for a groat at any suburban outlet by the cemetery.  But Ibor had spent a lot of time digging for one of just the right proportions to complete his skull bowl set.  He set it on his workbench behind a curtain at the back to carve up if there was a quiet moment later in the day.

   His next new item was a parchment of some kind, which he had found clutched to a corpse during his skull digs.  It was in no language that he could understand (indeed, it may well have just been a stylized map), but he knew his business well enough to know cat skin when he found it.  A bit of oil and a bit of gentle work and it would make a great polishing rag or jar-opener.  He plopped it down on the workbench next to the skull.

   The last item he had found at the end of his supply chain, dangling from a gibbet on the town walls.  It was a small vial, sealed with wax, concealed in the foot rags of the poor wretch who was hung there.  Of course the foot rags were too comfortable to sell-on, but this...!  Ibor carefully inspected the pink fluid within before placing the vial on his shelf of mystery potions.

   And so the day began.  He carefully dusted his knuckle-knickknacks and restocked his bat-wing hand-fan display, harvested the cob webs to make little cotton-candy treats in case there were any children in tow of customers and marked down the goat scrotum teabags that just weren't moving.  He redid the front display window, cleverly spelling out the words “flash sale” in blinking newt eyes, and then restacked his jarred-organs to bring the more interestingly shaped hearts and brains to the fore.  Then of course there was the pet golem to feed and the rattling demon-box to sooth.  By mid-morning there were still no customers, so Ibor retired to his workbench.  He filed down a few more dog claws to make a smart-looking back-scratcher, and then carefully set the last of the mouse teeth into an organic bone-saw of his own invention.  He spent quite a bit of time adjusting the wind-up knob on the back of a live cockroach from the impulse-buy display.  Ibor had just settled in to rubbing whale sebum into the cat-skin parchment when there was a familiar clanking of the front door.

   â€œGood day to you, valued customer!” he said as he shuffled out from behind his workbench curtain before bowing obsequiously.  “Might I interest you in a free sample of squirrel-spleen surprise as it is nearing the luncheon hour?”

   â€œNah, sod that Guv'nah!” the figure said in a cheerfully disgusted voice.  “And none of yer toe-jam pies, neither!”

   â€œOh, Draxton, it's just you,” Ibor harrumphed, pulling himself onto a stooling stool so that he could be level with the gaze of the tall urchin.  “Has your mother still got that fantastic skin disease?”

   â€œRight she does, Guv'nah!  But she ain't selling samples for less than 10 bob.  Anything less is highway robbery!”

   â€œBah!  How do you think I built the rest of my collection?!?” Ibor bragged.  Still, he wanted that specimen.  Maybe he could trick the stubborn woman into a freak potato peeler accident....

   â€œWell, enough banter then,” said the urchin.  “Time is money, and I've got fifteen other deliveries to make.  Sign here!”

   â€œOh, is it my Twitch-That-Itch severed spider-leg massage chair?” Ibor perked up.

   â€œNot by the smell of it, Guv-nah!  If I had to guess it's 3 month-old dog intestines, but then I'm not any kind of expert in your line of business.  Shall I leave it here on your counter, or just toss it into the moat with all the other offal?”

   â€œOn the counter will do just fine,” Ibor said through gritted teeth.

   â€œCheery-bye then, Guv'nah!”

   The urchin departed and Ibor rubbed his hands together with glee: his platypus cheese had finally arrived!  He quickly unboxed it and sliced a dramatic wedge for the display case by the counter, placing it artfully between the rare rabbit cheese and the even rarer porcupine cheese.  As he did so he couldn't resist sampling a tiny bit himself, allowing the muddy flavours to dance tantalizingly over his tongue.  Oh, the customers were going to love this!

   And at last the customers began to trickle in.  First was an old witch from the forest beyond town, with a nose as warty as the toad-skin throw-pillow Ibor tried to sell her.  She sniffed and poked about his bone wares and ear-wax candles, but what she was really after were fresh children's fingers for a special baking project.  Ibor tried to interest her in his pickled children's fingers, but apparently only fresh ones would do.  Reluctantly he shared that he had a supplier in the spinning mill just outside of town, but that fresh fingers were usually only in season at the beginning of the month when new orphans were hired on.  So instead of buying anything the old witch merely helped herself to free samples of sloth cheese and gerbil nuts before moving on.

   Next there was a tourist with a Daventrian accent.  He seemed vaguely bemused by the vintage land-squid pens and the millipede skateboards, but what really caught his eye was the hand-held anteater vacuum.  Apparently he was puzzling over how to retrieve a lost item visible just below a sealed sewer grate.  Unfortunately he had no local currency with which to complete the transaction, and Ibor was dubious as to the market exchange rate for the copper buttons the man tried to barter with in lieu.  Alas, he ended up directing the man to explore beneath the town docks at low tide to find a broken fishing line with a hook still attached.

   It was late in the afternoon when his third customer arrived.  He was a tall man sporting the fancy pantaloons and waxed moustaches of the nobility, and he pawed through the merchandise disdainfully with immaculate white gloves.  After a cursory circuit of the tiny shop, he came to stand by the haunted talisman counter and cleared his throat loudly.

   â€œYes master,” Ibor crooned sycophantically.  “How can I be of service?”

   â€œAre you the proprietor of this ...emporium?” the man asked, eyeing the diminutive hunchback leerily.

   â€œAye, master,” Ibor confirmed.  “Of course we are unused to catering to men of your, uh... stature,” he said, noticing at this moment a red mark on the gentleman's forehead in the distinct shape of the shop's door mantle.

   The man frowned and dusted his white gloves against each other, subconsciously trying to remove some filth beyond Ibor's line of sight.  “I am John Forthright, Steward to the House of Featherby.  You are acquainted with the House of Featherby, I assume?”

   â€œUh...” Ibor thought, vaguely recognizing the name from various cemetery monuments beneath which he had raided.  “No, master,” he said, thinking it more prudent to play dumb.

   â€œInteresting,” the steward said, stroking his moustaches pensively, “given that Lord Featherby is in fact the owner of this town plot and the structure built hereon.  It is normally my job to collect rents from the occupants of such premises, but I'm afraid I have no record of any lease agreement with your esteemed personage....”

   â€œLeasy whatnow?” Ibor asked, squinting skeptically at the finely dressed gentleman.

   â€œBesides the fine for squatting, which is considerable, I regret to inform you that Lord Featherby is also owed back rent.  And of course there are extra fees to be lumped in, including utilities, a window tax, an even steeper broken window tax, merchant guild dues, church tithes, and my personal favourite: eviction fees.  Thus, you are presently owing to his lordship 168 crowns and sixpence.  If I might trouble you to settle your account now before I have your, mmm, inventory tossed into the street, that would be lovely.”

   â€œGuild dues?” Ibor blinked.  “You mean guild don'ts, right Master?  I've never even heard of guild dues....”

   â€œQuite,” the steward sneered.  “Might I assume that an immediate payment will not be forthcoming?  How unfortunate.  Still, the law does allow me to seize your chattels in lieu of debts owed, which at least provides a measure of amusement.”  The tall man stretched out his arms, carelessly knocking a blue bottle off the mystery potion shelf onto the floor.  “Oh my!” he exclaimed sarcastically.  “How clumsy of me!”

   â€œUh, master?” Ibor asked, noting that the tendrils of a blue fog seeping from the broken bottle were now wrapping themselves around the steward's leg.

   â€œOops!” the steward continued, knocking a cask of zombie scorpions from the thrift bin with his other hand.  Once freed they began a mechanical march towards his other leg, but in the full sweep of his arrogant performance the steward was oblivious to their approach.

   â€œUh, master!” Ibor said again, pointing down.  “You should probably-”

   â€œOh, so tiresome,” the steward yawned, stretching his arms upwards to knock a pouch of heirloom wart-seeds off of its rafter hook, whereupon it fell and burst at his feet, to be picked up by the leg hairs of the zombie scorpions now beginning to climb up his pantaloons.  The tendrils of blue fog were now seeping up his other pant leg, and Ibor shuddered to think what would soon happen when the two met somewhere in the vicinity of the steward's ornamental codpiece. 

   Thinking quickly, Ibor grabbed a tin from the display counter and waved it at the steward.  “Before we continue this transaction, Master, can I interest you in some of Madame Hex's Sooth-All Ointment?  It is guaranteed to relieve all pains and rashes, no matter how magically induced.  It's on sale,” he added.  “Only.... 169 crowns!”

   The steward scoffed, then frowned.  Then danced a little despite himself.  And then there were rainbow fireworks in his breeches, and he began bouncing in comical agony.  Then he started whooping, then wincing, and then there was the sound of popcorn popping ominously before his codpiece was blown clear off, leaving a charred hole in his pantaloons and another broken window pane in front of Ibor's shop.  Finally the steward doubled over, grasped tenderly at his still smoking crotch, and scuffled gingerly towards the door, jumping slightly with each step at some residual zombie scorpion stings.  He waddled about half the distance to the door before groaning inwardly and turning back towards the counter. 

   â€œPrithee, good shopkeeper...” he rasped, wincing and twitching at yet more unseen stings as he reached for his purse.  “I'll take two.”
#262
I thought I saw an extension kicking around in the discount bin the last time I was here.  Is it still on sale?   (roll)
#263
I'm vulnerable to -wait, what theme is this again?  :=
#264
I am vulnerable to recounts!  :=

Congratulations EjectedStar!  ;-D
#265
I'm vulnerable to voting extensions AND hospital workers!  Gah! :=
#266
Voted!  I liked both of my competitor's entries a lot, so my votes were pretty evenly split.

@ EjectedStar:  Not to be contrary, but I don't think your target market minds rehashing old action movie cliches.  I thought it was a great sequence.  Yeah, there was maybe a bit too much action description (did Jay really need to duck that many times before getting to the portal?), but it was punctuated with interesting if random observations that made the whole piece seem alive and gripping.  I particularly liked the running theme of Jay's dislike of after-rain (setting the scene, describing the girl's eyes, stepping in the alien monster gore).  I'm not really much of a novel reader myself, but I definitely know people who would be interested in reading a whole book like this.

@ Sinitrena: Like Lomin, I find Sjenne a frustrating character and thus hard to root for.  But I don't think it ruins the story: it's just that I think the real crux of your story, Sjenne's character development, occurs right after the end of your written piece.  She walked away, the bag weighing on her shoulders with indecision?!?  That's a Baron ending!  I liked the succinct philosophical arguments put forth from both Lomin's and Sjenne's perspectives, and the back-ground world and plot were both engaging and well-written.  If only you hadn't stopped the story right in the middle I think it could be truly great.  ;)

I myself am guilty as charged of mashing together a last-minute submission.  I had actually written 4 pages of repulsive slop about a chipmunk trapped in some bird-netting before I came to my senses and wrote a proper silly story.   := 
#267
We are vulnerable to voting delays!  :=
#268
Venerable & Vulnerable on the Volga

   Well, it wasn't my normal kind of gig.  Normally I'd just show up virtually via satellite link, do my thing in 3D avatar form, and be back to gaming and online flame wars before you could say Larry Laffer three times fast.  But this convention demanded a personal touch, and if I have one soft spot it's my ego. 

   Wait, that's not actually true.  Can we redo the intro?  No?  All in one take?  But....?  Cutbacks?  That's unfortunate.

   OK, so I should explain that my one soft spot is actually my only spot.  For I am a disembodied brain.  Now, obviously the good folks here at the Institute for Historical Neural Tissue Preservation taking my testimony know all the ins and outs of brainaxonomy (look it up), but I want my story heard by a wider public. 

   My name is Ross Kevin Dragonheart.  Yes, that Ross Kevin Dragonheart.  The oldest human consciousness on Earth.  I was born in the Before Times, of which your culture has virtually no knowledge.  But suffice it to say I was a big time game programmer, scientist, author, athlete, entrepreneur, adventurer and womanizer back in my time.  Now I make my living by reminiscing about the good old days on the speaking circuit.  Yeah, I know at my age I should probably retire, but somehow Alibaba survived the online retailer wars of the mid-22nd century and I have a mild addiction to Hello Kitty artifacts.

   So to the present: I was a guest of honour at the 6021 Meta Gaming Conference when...  what's that?  Oh, we have time for the whole back-story?  Just a quick synopsis?  All righty then!

   So the whole oldest human consciousness thing.  It all began when I was born in the late 20th century- what?  Just the pertinent facts?  Not even how I won the name Dragonheart by defeating the flying tyrannosaurus invasion that you strangely have no record of in this time period?  Fine....

   So I lived in this place called “Japan” that used to exist off the coast of Ultra Mongolia and at the height of my fame and handsomeness was struck down by an improperly cut piece of fugu.  But fortunately a paperwork mix-up had my brain donated to science and, after 3000 years as part of the internationally funded How-Jello-Might-Be-Used-to-Preserve-Weird-Stuff experiment I found my consciousness revived by the the Institute for Historical Neural Tissue Preservation (or IHN-TiP for short).  My brain was hooked up to the virtual realm and I spent the next 1000 years helping your historians reconstruct the events of the lost Before Times, bilking high-ball functions for outrageous speaking fees, and catching up on about 4000 years of human gaming progress.

   So now you know what I'm about.  Disembodied brain and A-list celebrity.  So then this conference opportunity comes up: the aforementioned 6021 Meta Gaming Conference.  Did I mention I was a big-deal in gaming back in the 21st century?  Ever hear of  a little game called Monkey Island?  Kings Quest?  Skyrim?  All me!  Anyway, I was gung-ho to “attend” (I'm making quote marks in the air with my non-existent fingers), but then the whole VR-Coof thing hit and all the world's computers needed to go into lock-down isolation and the only way to host the conference was by... yeah, actually getting together in the realz. 

   So I've done this kinda thing before, from time to time.  You know, for photo shoots or birthday parties, where it's important to be seen.  I mean, anyone can claim to be the oldest human consciousness on the virtual realm, but there's a certain cachet in hanging out with the actual floating brain of Ross Kevin Dragonheart.  My handlers load me up into a 30 squeeter aquarium tank with this spider-robot base and off I go to work the crowd.  For these shindigs they graft eyes back onto my optical nerves so that people have something to look at other than my dangly brainstem (I go for the disposable ones from Eye-Corp, as I find the reusable ones chafe after a few days of staring without eyelids). 

   Fast forward to the conference: apparently my spider-robot didn't clear quarantine regs and I have to handbag it.  Yeah, it's about as degrading as it sounds.  I basically look like a packaged tenderloin with a handle.  Oh, they don't sell tenderloin since the veg-tatorship of the 4th millenium?  OK, so imagine a plastic sack where there's just enough room for a bit of oxy-fluid and a human brain, only with two protrusions for my eye-grafts to sit in.  There's also a primitive electronic speaker attached which is wired into the language centre of my brain, but it makes me sound like Stephen Hawking.  Yeah, that Stephen Hawking, the one I collaborated with back when I was a leading scientist of black holes.  No, I can't remember any of our theoretical advancements â€" god, I can't even remember what I had for breakfast yesterday.  Well, yeah, ok, I always have brain growth hormone-infused Fruit-Loop dust, but it's just a figure of speech.  I mean, you tell me the details of one of your nineteen doctoral theses four thousand years after the fact and then we'll see who draws a blank.

   So anyway, I'm in this handbag at the conference being carried around by Chimeg.  Yeah, that Chimeg, the famous Ultra-Mongolian model.  She's waving me around like a fashion accessory, and our adoring public is lapping it up.  Sometimes my plastic eye-tubes stray indecently towards her spandex-painted body, but honestly I don't have a lot of control over the g-forces exerted on my thin plastic sack.  All's I got to say is lacking eyelids is an advantage in some situations!

   But then there's trouble.  Chimeg breaks a stilleto heel and is temporarily out of commission.  I get passed unceremoniously to Daryl, the conference building janitor who looks the part.  In the year 6021 robots take care of most of these sorts of drudgery tasks, but I'm told even robots have a soul now and hence they hired Daryl to give them human company.  Except given all the cool jobs in the future like mermaid wrangler and jet-pack delivery guy you can imagine the calibre of human that the job conference centre janitor generates.  Let's just say that Daryl is a bit on the slow side, and he smells something awful (even through the plastic membrane of the handbag, and despite the fact that I don't have an olfactory organ to stimulate the relevant disgust centres in my brain!).  He starts with waving me around like he's a sexy man on the catwalk, but then starts wheezing at all the effort and puts me down on his cleaning cart.  I'm precariously balanced on a stack of neatly folded cleaning rags between the garbage bag and the slop bucket.  I have to think low-centre of gravity thoughts to keep from tipping this way or that.  Fortunately I was a champion acrobat at the Cirque du Soleil in the Before Times â€" yes, THAT Cirque du Soleil!  So I was able to fall back on my rusty instincts to keep from being totally humiliated.

   But then there's an earthquake.  I mean, yeah, there's earthquakes all the time now since all that atmospheric warming of my time ended up in the heat-sink of the Earth's crust and reignited hyper plate-tectonics.  All modern construction is built with self-correcting counterweights at the top and hydraulic limbo bots at the base to automatically counter the slightest movement, but apparently this conference was being held in an ancient Transylvanian castle for marketing purposes.  I've heard since that the entire castle has been tilted to as much as a 15 degree incline in the past, but happily the most recent earthquake had set the structure back to level (which really helps as a conferencing venue!).  But now after the shaking the structure was re-tilted to about five degrees off-level and Daryl's cart starts rolling of its own accord.

   My acrobatic skills can only take me so far without an actual body to implement them, so I scream for help like a little school monkey.  Only my primitive speaker broadcasts my screams as the deadpan calmness of Stephen Hawking (yes, THAT Stephen Hawking!) and I receive nothing but admiration and polite applause at my coolness under adversity.  I guess sometimes it just doesn't pay to be a rugged adventurer hero from a distant age.  Like that time when I tried to impress that pretty news anchorwoman cyborg with the story of how I was the first human ever to climb Mount Everest (yes, THAT Mount Everest!), only to discover that it had become Fount Everest in the great geysering of 3692 and is now a children's play-structure.

   So the cleaning supplies cart rolls off the conference floor and down a hallway and then hits a flight of stairs.  And you have to appreciate that these are castle stairs, so I'm spiralling downwards towards dungeon spikes or god knows what.  I try to grab a tapestry on the wall to brake my descent but, yeah, I don't actually have any appendages.  The only way I can use my brain to stop the cart is to literally fling myself under its wheels.  But oh wait, I can't fling myself either.  I am literally a passive witness to my own impending doom.

   The cart careens out of the spiralling stairwell and onto a side passage that leads to a ruined parapet.  And now I'm flying off the wall and off the edge of a cliff!  I don't know how much you know about the bounciness of hermetically sealed oxy-fluid sacks, but let me tell you the research is not encouraging.  But then â€" I kid you not! - I am snatched out of the air by a flying tyrannosaur (damn you science, why must you repeat your follies over and over?!?).  Instead of going out in a spectacular splat of rock art I am now destined to feed a hungry brood of T-rex chicks.  You know, I've had nightmares about going out this way....  Have you ever seen a disembodied brain shit itself?  It's not a pretty picture.  I am dreading the pain of being torn lobe from lobe, but I think one of the T-rex's talons has pierced my parietal lobe and permanently severed my ability to feel any sensation at all.

   But then, if you can believe it, the flying T-rex experiences a heart attack mid-air.  Apparently the exertion required to lift six tonnes of carnivore by little humming bird wings is still one step beyond science.  So now I'm falling back to rocks â€" damn it fate, make up your mind!  But another earthquake tilts the castle into the way, and I land in an ancient chimney.  I'm leaking oxy-fluid all over the place like a toddler with a really disgusting ice cream cone as I carom back and forth through flues and ducts.  And then, splash!  I land in the toilet of the conference centre staff bathroom.

   Ewwwwwwwww!  Stephen Hawking's voice does not do justice to my sentiment!  Toilet water is leaking into the bag through the hole pierced by the T-rex talon!  One eye stares up at the broken vent cover through which I crashed, while the other stares into the horrifyingly unsanitary abyss below.  My cerebral membrane crawls at the thought of all the bacteria swirling inside my plastic sack.  In all my years of unending consciousness I don't think I've ever felt more vulnerable than at that exact moment.

   You know, there comes a time when everyone hits rock bottom.  For me I thought it was when I was dating Kim Kardashian and Britney Spears at the same time.  But after all these years it appeared as if I had actually achieved a new low.  Except what's this?  My old buddy Daryl the janitor has arrived to rescue me!  But Daryl, no, don't turn around!  Don't undo your belt!  Don't â€" oh my god!  Where are my eyelids when I really need them!  I'm really not interested in this kind of black-hole research!  Nooooo!  Noooooooooooooo!  NOOOOOOOOOOOOOO!

   Well, I don't want to go into the full details of my extraction, but suffice it to say that it involved a plunger, then a plumbing wrench, and then a disturbing amount of Jigga-Lube.  My therapist tells me that I can unsear the images burnt into my mind with meditation, time, and a unfaltering regimen of mind-altering drugs, but me I'm not so sure.  Some things cannot be unseen, and some traumas cannot be unfelt.  All's I can say is that if I am conscious for another four thousand years I will never forget the nauseous feeling of utter helplessness as I stared unblinkingly into a torment 1000 times more ghastly than death itself.
   
#269
I am most vulnerable at voting time....  :P
#270
Phew!  I'm at a family reunion this week, so it's been hard to carve out much time between the night owls and the early risers.  But here are my quick thoughts:

@Sinitrena:: I'm a big fan of Lomin as a character.  He's a thief, yes, but a mostly honourable one.  Which makes me wonder a bit at his selfishness in putting the Wavedancer's crew in such peril: maybe he thought dangerous waters were just part of their job description?  Which leads me to the weakest part of the piece: what exactly happened to the Wavedancer?  The storm and wrecking were so vividly described, but in the end Lomin just rows back to the ship and sails off?  Were the mermaids correct that he just rowed up in the first place (and I suppose was just sunbathing in the shallows when he woke up)?  But then what about the tattered clothes?  Or was there an actual storm (which he remembered - and one of the mermaids verified through her own recollection of the ship disappearing beneath the water), and everything was just restored by the Blowing One?  Very confusing.  Like Mandle I wasn't sure exactly why the submerged temple and the renewed alliance was so important (as Lomin's larger scheme is, characteristically, a secret), but I can suspend my curiosity in this case as the story is clearly a smaller piece in a larger work.  On the upside, I thought the storm was well-described and the description of the mermaids was awesome (especially how they spoke)! 

@Mandle: Very interesting personality at play here.  Kenneth is both dreamer and doer, at least until practical schemes for escape are on the menu.  One can admire him but it's hard to actually like him, as he is something of a stubborn loner.  The concept of falling in love with a game character was a bit of a stretch for me, but I recognise that games can become more real than reality for certain personalities.  But then it's Kenneth's controlling personality that allows him to justify a re-roll near the very end of the story, even though in his heart of hearts he knows he's playing Frankenstein.  It's just interesting that this particular instance of self-loathing is the straw that breaks the camel's back, when surely he has come to regret other stubborn, loneliness-inducing decisions that he has made throughout his life....

@EjectedStar: Centipede whales in the purple goo of the timestream?  Oh my!  This was a fun little tale full of excellent writing and plausible AGSer backstories.  Sadly it has almost become a trope of time-travel that someone wants to stay in the past where they fit in better, but at least Wiggin had the decency to slum it in the 21st century instead of one of those more romantic time periods.   ;)

@Baron: Yeah, well, I never watched Lost except for maybe bits of the first episode, but I concede that my story jumped around too much.  I think, in the end, I was trying to cram too much (characters, complex plot, action, geography, lots and lots of walking....) into the short story format.  Maybe EjectedStar is onto something with this fun and silly story thing....
#271
Voted!  But I'm a bit short of time, so feedback will have to wait.  Great stories all!
#272
The Survival Imperative

Churning waves. Wind-whipped rain.  Roaring and howling, like two wild animals at each other's throats.  Then nothing but a muted rumbling.  Jonah realized in terror that he was now under water, although in the muffled turbulence it was hard to tell exactly where under started and over left off.  A searing flash revealed the sky to be somewhere below his feet, and he instinctively inverted himself.  Breaking the surface brought the roaring and howling sounds back, now accompanied by a great clap of thunder.  He was heaved up on a rolling hill of water, but he could see little beyond the intense spray of brine that drove into his eyes like liquid nails.  There was a crash and a splash, and then suddenly he was flung bodily against something solid and the dark world went completely black.

*   *   *   *   *

   Moaning.  Not his.  He groaned, but the sound was swept away by a jealous wind.  Jonas opened his eyes again.  The air about him was white and angry, stampeding roughly over him like a herd of liquid ghosts.  It moaned resentfully at being driven from the sea, and he could hear not far off that it was trying to bring great waves along with it.  Jonah blinked, realizing that he was splayed in a nest of rocks.  He tried to sit up, but his hair was stuck to the rock beneath him.  He explored his aching head with a tentative hand and discovered that it was a crust of dried blood that held him in place.

   Slowly, painfully, and then all at once and even more painfully he was able to rip scab from stone and sit up.  He was bruised and battered, and the land beneath him seemed to reel as if it was itself being tossed upon the still violent sea.  He vaguely perceived flotsam on the land around him, and  here and there it bobbed on the waves offshore.  Even half-dazed as he was, it dawned on Jonah just how lucky he had been to be tossed up onto the land. 

   Slowly the world began to steady itself.  Although the splitting headache remained Jonah was able to tenderly drag himself to his feet.  He was on a rocky outcropping not far above the crashing waves, still violent in the heavy winds.  Behind him there was land, its full extent concealed by the blowing fog.  It was mostly clad in grasses, although here and there a twisted shrub defied the merciless winds.  He shouted out for help, but the wind snatched the words and smashed them upon the rocks up-slope.  Stumbling unsteadily, Jonah began to walk the shore looking for fellow survivors.

*   *   *   *   *

   There were five of them altogether, although four and a quarter might better describe their active roster after subtracting for injuries.  Viola, a slender woman with short hair and shorter temper, had made it to land entirely unscathed.  Xander, an older man with an eye that always stared askew, had like Jonah made it ashore with only minor bruises and gashes.  Cora, kind-faced but stocky like a rugby player, had broken her arm on the rocks.  Poor Roberto, who only recited prayers in Spanish to the crucifix clutched to his lips, was by far the worse for wear.  Both legs were broken, one with bone jutting alarmingly out from the skin, and he frequently coughed flecks of blood belying serious internal injuries.

   Their immediate plan was to patch themselves up and seek help and shelter from the violent weather.  Cora was trained in first aid, and with considerable ingenuity and one-armed dexterity was able to fashion bandages, slings, and splints from the bits of jetsam that could be found on the shore.  Jonah followed the shore one way, Viola the other, and Xander struck inland, with an agreement to turn back within three hours if they found nothing.  But within two hours Viola and Jonah had met up on the other side of what seemed to be an uninhabited island â€" virtually colliding as it happened, due to the tricks of the swirling fog.  They returned to find that Cora had built something she called a travois, basically a jury-rigged frame with rags tied in between as a way of moving Roberto somewhere more sheltered than the exposed shoreline.  She tied the last knot using her good arm and her teeth as they told her the sad news of their isolation.

   â€œWhere is Xander then?” Cora sensibly asked.

   They decided that the blowing fog was probably disorientating in the hilly interior of the island and that he had gotten turned around, but as the island was only so big they were confident that he would find his way back eventually.  In the mean time they explored their near environs for a cave or at least a wind-break.  At last they found slight shelter beneath a low rocky ledge, which they were able to make somewhat wind-proof by piling smaller rocks along the open side, and then chinking the spaces between them with clods of grass and earth.  By then the air was darkening, although from approaching night or another storm they could not tell.  Jonah slowly lugged the severely injured Roberto up to the shelter using the travois while Cora and Violet followed, making arrows of stones as markers for Xavier.  A heavy rain returned just as they arrived back at the shelter, and there was still no sign of Xander, which was just as well for the shelter was barely large enough for the four of them squeezed together.  And thus they spent their first night shivering on the island.

*   *   *   *   *

   The next day dawned white and bleak, although at least the pelting rain had tapered to another driving mist.  Roberto had taken a turn for the worse over night, and could now only whisper his prayers between bouts of wheezing exhaustion.  The rest of the group met just outside the shelter where the wind would muffle their words.

   â€œHe won't make it without serious medical help,” Cora stated flatly.

   â€œMaybe we can use driftwood to start a fire?” Viola asked, still shivering.

   â€œIt'll take days to dry out that wood,” Jonah said.  “And there's no room for a fire in the shelter.”

   â€œIt wouldn't do any good,” Cora frowned, shaking her head.  “I think his wounds are already infected.  He needs help.  We all need help.”

   They agreed to trek inland, all three of them, while Roberto slept.  They spread out just far enough that they could still see each other through the howling fog.  They shouted Xavier's name as they began to climb up the slopes of rock and grass.  As they climbed higher the air became whiter, as if they were penetrating deeper into the heart of an endless cloud.  They thus had to close ranks, until they were almost holding hands.  They could see nothing, and hear nothing, and were about to abandon their search when they stumbled upon an unnatural line of stones in the grass, running straight as a taught string.

   â€œWell, someone's been here, at least,” Viola shouted to be heard over the wind.

   They followed the line of stones over several hills before arriving atop what must have been the highest point on the island, for here the wind whipped at such speed that it nearly swept them from their feet.  They found shelter behind a massive mossy boulder which seemed to anchor not only the line of stones that they had been following, but also several others which radiated like spokes into the omnipresent fog.  But besides the bizarre rock patterns they found no other sign of a living soul.

*   *   *   *   *

   They followed another rock line along its entire length, discovering that it terminated just shy of the coast.  Perhaps at one point it reached right to the water, but large storm waves had dispersed the lowest stones.  By following the jagged coastline they were able to find their stone arrows from the previous day, and by following them they returned to their shelter beneath the rock ledge.  Upon arriving, however, they found it entirely deserted.

   â€œWhat the.... Where'd Roberto go?” Jonah asked.

   â€œMaybe he went out looking for us?” Viola shivered.

   â€œThere's no way he moved himself, not in his condition,” Cora said, hugging the slender Viola with her good arm. 

   Jonah crouched to examine the shelter more closely.  “The travois is still where we left it,” he commented.  “Maybe he dragged himself down to the sea?  You know, put himself out of his misery?”

   â€œThere'd be marks on the grass,” Cora said, shaking her head.  “It must have been Xander.”

   â€œFuck Xander,” Viola cursed.  “Why wouldn't he stay here if he made it back?  Or at least leave a sign?”

   They scoured the surrounding landscape, but could see no sign left by either man.

   â€œFuck Xander, and fuck Roberto too,” Viola spat, her whole body quaking.  “I'm fucking cold, and I'm fucking hungry.  What are we going to do to look after ourselves?”

   â€œThere's nothing to eat here but grass and rock,” Jonah said, as apologetically as he could.  “I haven't even seen a bird since we arrived.”

   â€œWhat about seafood?” Cora wondered.  But that option was soon discounted due to the slipperiness and steepness of the sea rocks and the ferocity of the waves.  Neither Viola nor Jonah had seen anything resembling a sheltered cove or bay on their travels around the island.

   â€œHow long can we last without food?” Viola asked miserably.

   â€œMore than a month if we drink lots of water,” Cora recited.  “Of course, it depends on activity level, and temperature....”

   They spent the rest of the day gathering dead grasses and what little driftwood they could find that was pushed high enough onto the rocks to retrieve safely, and then rubbing their hands raw trying to ignite it by rubbing and grinding various combinations together in the relative dryness of their shelter.  By evening they were exhausted, hungry, and miserable.

*   *   *   *   *

   Midnight.  Or at least the middle of the night.  The winds howled on relentlessly, but the timbre seemed to have changed to suit the darkest hour.  Viola had woken, shivering as usual despite being sandwiched between Jonah and Cora for warmth.  She could not say what possessed her to leave the shelter, but soon she was on her feet outside, the wind playing roughly in her hair.  That's when she saw the dim light through the fog.  She shouted and waved her arms, forgetting in her excitement the deafening winds and near total darkness.  Recklessly she ran, tripping over rocks, reaching longingly for the light that always seemed to be two hundred paces further on.  Finally she caught up to it, on the highest height just above the mossy boulder where it seemed to hover, unsupported, in the air.

   Mesmerized by the enchantment, she attempted to find a handhold to climb the boulder, which was easily two stories tall.  But the moss came off in her hand, the rock below being too smooth to give much grip for animal nor vegetable.  That's when she heard the voice.

   â€œHello?” she asked, peering around into the gloom.  “Is anyone there?”  The half-light emanating from above the boulder played tricks with the her eyes, for the windy night-time fog seemed to churn with a supernatural energy, like the gassy storms of Jupiter.  Some of the eddies even wound back up-wind, as if she were in the eye of some grasping, sinister vortex.

   â€œViola!” came the voice again, rasping, struggling.  She turned and was suddenly face to face with Xander, but his eyes were black like the inky depths of the raging sea.  Still, he seemed to stare directly into her soul, and wherever the rays of his stare landed seemed to turn to frost.  Viola tried to scream, but the vortex seemed to have sucked the air right out of her lungs.  She tried to recoil from the  ghostly face, but Xander had grabbed her arm and now pulled her even closer so that he could whisper in her ear.  “Hungry,” was all he said.  And then suddenly there was air in her lungs again and she shrieked in terror.

*    *   *   *   *

   Viola kicked and screamed and writhed, trying to escape.  And then she was slapped across the face, and the world was lit by the half-light of dawn.  She was in the shelter, and it was Jonah that was holding her by her arms, and Cora whose hand now caressed her face instead of slapping it.  Viola looked around the tight confines of the shelter, half expecting ghosts and ghouls to come seeping out of the chinks in the wall.

   â€œYou just had a nightmare,” Jonah soothed, gently releasing her.

   â€œShe's soaked through,” Cora said, indicating Viola's sopping clothing.  Viola's breath caught again, as if the vortex had returned, and her face drained entirely of colour.  Cora's forehead creased with concern, but followed Viola's stare.  Her legs below the knees were not just wet, but covered in mud and matted grass, as if she had been tramping about the island for half the night.

*   *   *   *   *

   â€œI know what I saw,” Viola cried, trying to keep the shrill panic out of her voice.  Her hands were shaking, although now not from shivering.

   â€œYou were right between us the whole night,” Cora repeated.  They had returned to rubbing bits of driftwood together, although even if they succeeded in lighting a spark they had barely enough dry wood to burn for a couple of hours.

   â€œWhat about the mud?!?” Viola gestured at her tattered pants, although the upper reaches had by now caked to dirt.

   â€œWe all have dirt on our legs from walking around the island in the rain yesterday,” Cora said, waving at her own legs.  “You just had night-sweats that got it wet again.”

    “What about the Xander, hmmm?  What about Roberto?  What about the rock lines, and how does a boulder get to the highest hill of an ocean island?” Viola asked.  “Something is seriously fucked up here!”

   â€œI'm sure there is a perfectly rational explanation for all of it,” Cora said with a tone of finality.  “Listen....  You are stressed.  Your body is cold and hungry, and you are dealing with the trauma of losing people.  The mind starts to hallucinate in these conditions.  It sees things that seem real, but are just the result of physiological stressors.  Try to keep an open mind and just relax.”

   â€œWhat?!” Viola spat.  “You think I'm stressing over losing Xander?!?  I barely knew that old guy, and his wandering eye really creeped me out.  Tell me this, Rational Explanation Lady: what was the name of the ship we were on?”

   Cora glanced at Jonah, who was frowning.  “I... bumped my head,” he murmured, tenderly poking at the bandages Cora had wrapped around his head.

   â€œWe've been through a lot of trauma,” Cora spoke up, trying noticeably to keep her tone calm.  “It's not abnormal for the mind to mis-remember moments of extreme stress.  We're all probably suffering from PTSD.”

   â€œAdmit it, you don't know!” Viola shouted.  “None of us do.  And what ever happened to the ship, anyway?  Who was the captain?  Who were some of our crew-mates that never made it ashore?  Why do none of us have a cell-phone?  Why does this storm never seem to end?  How come whenever any of us are left alone they seem to disappear?”  Her last line of thought seemed to linger in the air like the light she had described from her dream.

   â€œYou're hysterical,” Cora said, shaking her head.  “You are asking me to believe in witchcraft and horror stories and disjointed dreams instead of the sensible logic that has explained everything in my entire life.  Did you and Jonah not walk off alone and meet on the far side of the island?  Make her see sense, Jonah!”

   But Jonah was lost in thought, trying to remember the details of the shipwreck two nights before.  They sat in silence for a long while before finally Viola spoke, her tone cold and calculating.

   â€œSo you would believe in something that was proven scientifically, yes?”

   Cora eyed her skeptically, but nodded.

   â€œHow about a little experiment, then?  Jonah and I will go explore the boulder together in the daylight, while you wait here.  Right here.  Without leaving the shelter.  And if you are here when we get back, I'll admit that I am crazy.”

   Cora merely shrugged her indifference.  “And if I'm not here when you get back, then you can eat my dinner.”  Unfortunately her two friends were too hungry to laugh at the joke.

*   *   *   *   *

   Midday, judging by the brightness of the blowing mists.  Cora had already been out and about a few times, despite her bet with Viola.  She hated being cooped-up with nothing to do, and thought she'd try her hand at scooping sea creatures or at least seaweed with a net and pole she had adapted from the travois.  All she caught were tiny bits of plastic, the origin of which she could not ascertain.  And still Viola and Jonah had not returned.  Really, what could take so long in examining a bunch of rocks?

   Cora resisted the urge to follow them up the slope.  No, she would not give Viola the satisfaction.  Let her take as much time as she needed to see the nonsense of believing in boogeymen in the dark.  Instead she turned her mind to food.  Surely there must be something edible on the island?  She knew that grass was indigestible for humans, but perhaps she could dig up roots that would be more tender?  The thought of digging made her consider all the other things that lived in typical soil: worms, grubs, and all sorts of insects.  She wondered if an isolated island might have such animals, and decided it would be well worth her while to search.  Lacking anything that resembled a shovel, she began to turn the larger stones in the vicinity to see if there was anything living in the soil underneath.

   Alas, the roots she found were bitter and stringy, and she never found so much as an ant.  And that's when she saw Jonah wander past, a dazed look in his eyes.  “Where is Viola?” she called out, but he ignored her question entirely.  Confused and just a little worried, she stood to follow him down the slope.  “What has happened?” she continued.  “Jonah?!?”  To her horror, Jonah reached the rocks adjacent to the frothy sea and kept on walking.  In an instant he had disappeared beneath the violent waves, never to be seen again.

*   *   *   *   *
   
   Late afternoon.  Cora had managed to sharpen the end of her net-stick into a point by grinding it repetitively against a rock.  Now, spear held ready in her good arm, she began to ascend the mist-shrouded hill, determined to discover what had become of her fellow survivors.  She was certain that the answer lay at the great mossy boulder at the centre of the island and soon came upon a line of stones to follow inland towards it.  As before the mists seemed to gather more thickly the higher she climbed, until it was hard to see more than a few steps ahead.  It was thus all of a sudden that the boulder loomed out of nowhere to tower menacingly above her in the swirling brume.

   And there it was, a giant boulder, all loom and no bite.  Slightly disappointed, Cora walked the perimeter around it, scouring the ground for any clue, any sign of what might have happened.  She walked the perimeter twice and then three times, each time successively more disappointed in the absence of any resolution to the mystery of the misty island.  Eventually she stopped pacing, and allowed herself to wonder what on Earth she was going to do now.  Continue her search for food, she supposed.  True survivors had a strong survival instinct, after all.  Idly she poked at the moss on the boulder with her spear, wondering how it might taste, marvelling at how easily it peeled from the surface.  In fact, the boulder itself seemed much too smooth to be made of rock.  Furrowing her brow, Cora peeled more and more moss from what seemed to be a metallic surface.

   And then, horrified, she stepped back, for there sculpted in metal was the effigy of a human face, eye sockets vacant, expression frozen in a look of pure terror.  Or perhaps not so very frozen, for it seemed to contort slowly, mouthing unheard words.  Cora stared in shock at her discovery, mind churning through possible explanations.  Was it magic or advanced technology?  Was the boulder a magical prison, or a spaceship, or some sort of creature itself?  She watched in disbelief as the spear traced further through the moss, revealing more and more human forms, sculpted like some ancient frieze except that they moved and writhed in a macabre slow-motion dance.  More and more moss fell to the ground and then there she was, a sculpture of Viola, eye sockets empty, face contorted as if bracing for a killing blow.

   â€œSo there you are,” Cora said, half-expecting Viola to speak back to her as she had related in her dream.

   â€œI told you,” the likeness of Viola rasped back.

   But of course it all made sense now to Cora.  It didn't matter what exactly the boulder was.  What mattered was that it was stranded on this island now, shipwrecked just as she was.  And there was only one imperative for survivors of a shipwreck.

   â€œI know, I know,” Cora said patiently, hefting her spear higher as her own survival instincts began to take over.  “It is hungry.”
   
#273
I've also left port, but my story is currently smashing itself to pieces on the shoals of indecision.  Advantageous given the current theme?  Time will tell the tale....  (roll)
#274
Quote from: Sinitrena on Sun 18/07/2021 14:13:40
Out of curiousity, did anyone bother to read the upside-down text or did you all jump right to the easier to read version?

I read the text in the upside-down version, but I did struggle with the names/named-things in that format.
#275
And that's that, folks!  I'm sure glad I didn't have to choose a winner this time around -Sheesh, that was a hecka good writing!  In the end, three stories were virtually tied for first place, and a fourth one probably could have made its way up there if the voters could consider it in its entirety instead of just the first (and in my opinion, weakest) part.  Great job everyone!

@ Stupot - The writing was solid (I especially liked the admiring but not admiring the decor bit), but it's the concept that really carries this story.  Both the idea of a psychic/magician who helps people retrieve their lost memories, but also the plot of the reasons for the the Smiths' fates.

@ EjectedStar - Beautiful descriptions of vomiting make for a great story hook!  ;-D  I loved reading about the necromancy learning curve, but as other readers have pointed out the last part of the story felt too rushed.

@ Sinitrena - The way my kids play with our cats, you'd think they were demons from the other side, complete with the claw marks on the floor as they are dragged into cuddle hell  (roll).  A fun concept, and well executed!

@ WHAM - I think the story has potential, but like other readers I was confused as to who was who.  I was also a bit confused at the band manager's motivation: what does he get out of lesser attendance at the lounge?  Or is he trying to bankrupt the joint so he can take over entirely?  Voodoo jazz zombies aside, something just doesn't fit....

@ Mandle - Full disclosure: I was just going to read the first part of your story, but the writing kept dragging me deeper in, and I'm glad I went along for the ride.  I'm a little confused at what Edward gets out of going public, especially as his main motivation seems to be to kill the Tall Man (whom, as far as I can read, he never meets or has any knowledge of).  Also the Rocky Mountains are EAST of Nevada (I think you mean the Sierra Nevada Mountains between the desert and California, although I don't remember a lot of farm fields between southern Nevada and LA....).  But otherwise it was really a top notch story, with the farm couple's personalities being my favourite part.  My only real disappointment is that you don't weave this kind of magical story spell every competition....  (wrong)

So, on to the votes.  Here's how it played out in the end:

WHAM got 5 votes.

Mandle got 8 votes.

Sinitrina and Stupot each got 12 votes.

...and EjectedStar got 13 votes, an oft-hexed number replete with ill-omens and darker tidings!  8-0  I hope this doesn't bode ill for the next exciting instalment of the Fortnightly Writing Competition, which EjectedStar must now conjure out of the ether.  :=  Congratulations on a hard-fought and well-deserved victory, EjectedStar!
#276
Alas, if you don't leave at least four votes on the table to be distributed fairly as whole numbers then the rest will be vaporised.   :~(

So, if you're gonna mess up, try to mess up big.  :=
#277
...and that's all the time we've got for submissions.  Congratulations to everyone who was able to meet the deadline and contort their entries into compliance with the rules!  :=

Our entrants are, in order of awkwardness in their teenage years:

Mandle with Edward's Talent (PART ONE)
WHAM with Red Velvet Lounge
EjectedStar with Life and D.K.
Sinitrena with Playdate!
Stupot with How Can I Help You Remember?

Voting will be by blind PM to yours truly, in the XVDAS format (10 Vote Dispersal-Allotment System).  This means you get 10 votes to divvy up as you see fit (in whole number increments) based on the overall merits of each story.  What you perceive as meritorious is entirely at your own discretion, but it would be nice if you could write some short impressions back here in the thread to help our starving writers with some constructive feedback.  Any unspent votes will be distributed evenly between all competitors, so do make sure your totals add up to ten. 

Here's a spoiler of what might happen if you are a lazy voter:
Spoiler

Saying "I vote WHAM!" would give one of your votes to WHAM, with the other nine being allotted evenly to everyone who is not you (if you are an entrant) in whole-number increments (in this case 2 + 2 + 2 + 2).  So your favourite entry will get 3 votes (1 that you indicated + 2 that were evenly distributed), while all the rest got 2.  The lesson is specify who gets what, or the vote fairy will have a field day!  ;-D
[close]

Deadline for voting is midnight Friday July 16 Hawaii time.  If you want to read Mandle's entry in its entirety you may feel free to ask for an extension, but I will require details from PART THREE to verify that you are using your time wisely.   :P

Good luck to all participants!
#278
Excellent rule-conforming entries so far!   (nod)

There are two more days left in which to make the magic happen - hopefully there are more word wizards who "wand" to win!  :=
#279
Quote from: Mandle on Wed 30/06/2021 10:09:54
Something in the works.

Too industrial.  Could we go with something brewing, potion style?  ;)
#280
Welcome to the Fortnightly Writing Competition (FWC for short), where writers match words and wits in a quasi-bi-weekly battle of phrases and fancy.  The cycle works like this: last fortnight's winner sets the theme, anyone is welcome to submit a previously unpublished story based on that theme, we all vote, and then the winner sets the theme for next time.  It's a whole lot of fun, and you learn from feedback: basically it makes you a better person by participating.   ;)

The theme this time around is....

Magic!



Isn't it crazy, but we've never really had a topic specifically devoted to magic.  So here's your chance to go nuts with the fantasy, and the carnival, and the hogwarts, and the mushroom-dwelling blue people, and the witchcraft, and the Pokemon, and the mummies, and the elves, and the sorcery, and the laser-mists, and the illusionists, and the smoke and the mirrors, and the unicorns, and the dragons, and the wands, and the staffs, and the impractical pointy hats with the wide-brims, and the transformative kisses, and the crystal balls, and the brooms, and the voodoo, and the curses, and the towers, and the cauldrons, and the bird intestines, and the weird living druid trees that strangle you with their tentacle roots - yes, those too!  There are two rules:

1) The element of magic must feature prominently in your story.
2) Your story must not exceed one post in length.

Voting will be by the new standard 10 Vote Dispersal-Allotment System  (XVDAS for short).  I'll explain that further at voting time.  ;-D

Deadline is Monday July 12, 2021.

Good luck to all participants!
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