Quote from: loominous on Sun 22/07/2007 23:59:53
What shading look are you after? DOTT? Do you want it just less clean, or painterly? Would make it easier to give you advice if you could specify a bit more what style you're going for, since different ones use different techniques. Also, what mood are you going for in the room?
Sorry, I was being really unclear. I'd like it to have a more painted look, or something similar to that. Just as long it's not static cut-n-clean shadows or gradients. Something like this or this.
I did not express this at all in the original image with the "shadows", but I imagine the mood would be an abandoned living room during the day. Regularly being used, but currently not. Most lights are out but it's not completely dark, as the daylight is lighting up the room. I guess that gives it a slight impression of warmth and emptiness.
I don't know if that made much sense, or helped.
Quote from: loominous on Sun 22/07/2007 23:59:53Do you have any experience in using photoshop?
Yes. I wouldn't call myself an expert but I've used my fair share and grown comfortable with it.
Quote from: loominous on Sun 22/07/2007 23:59:53I think one of the program's main strengths are the very powerful non destructive layer types/effects, which allow you to experiment freely and quickly with colour and values, which is incredibly useful especially when learning, since finding the right combination right off the bat is nearly impossible, and might take a couple of hundred tweaks.
These techniques may be a bit difficult to grasp at first, but they're really simple and logical. If I knew what style you were after, I could combine an edit with an introduction to them.
Thanks. I wouldn't mind redrawing this whole background in photoshop, by the way, if it's better that way.
Quote from: Ghost on Mon 23/07/2007 00:08:44Now, your style is very different from mine and I have never used Open Canvas, but I'd suggest *never* to draw outlines and colour on one layer (if you did that) and then erase "spilled" colour. Rather put outlines and a sharp block of colour on sep. layers, and then never look back.
Yes, I'd imagine that would look terrible or just being a pain to work with. My biggest problem was removing the color that goes outside the outlines clean cut. So for example the red patch don't slightly blur into the green couch, or the brown frame blends itself with the wall.