Geoff:
I see what you mean, when you say that a degree of dissonance is inherent to any culture. Infact, I think that different nations are used to different things which are used in their folklore. For example, we bulgarians are used to quirky tmie signatures like 7/8,15/16 and some more.
I am not quite sure how I'd do a song that'd introduce pure chromaticism, I used it here more like a variation of the diatonic melody.
ManicMatt:
Where "there"? There's quite a lot of pitch bending in that tune, do you mean you dislike it all? Or maybe just a specific one?
The tune'd sound a lot more orthodox without the glissandi, it would be easier to get into, I suppose, and it would not be the same tune.
I see what you mean, when you say that a degree of dissonance is inherent to any culture. Infact, I think that different nations are used to different things which are used in their folklore. For example, we bulgarians are used to quirky tmie signatures like 7/8,15/16 and some more.
I am not quite sure how I'd do a song that'd introduce pure chromaticism, I used it here more like a variation of the diatonic melody.
ManicMatt:
Where "there"? There's quite a lot of pitch bending in that tune, do you mean you dislike it all? Or maybe just a specific one?
The tune'd sound a lot more orthodox without the glissandi, it would be easier to get into, I suppose, and it would not be the same tune.