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Show posts MenuQuote from: Andail on Mon 17/03/2008 10:07:15Quote from: ProgZmax on Sun 16/03/2008 19:46:03
I will just say that I disagree with the notion of 'losing' immersion in a novel when events occur that lie beyond your realm of firsthand experience; I've read many novels where the most fantastic parts of the story were the most compelling and immersive for me, so really, it's about how well the storyteller tells his story that determines how deep you get lost in the narrative. Of course, you have to actually have some interest in the subject matter for it to really draw you in.
Allright, maybe I generalised a bit there. Let's say that it's easier to become immersed in a story whose elements are well familiar to you. I remember how love stories in general became vastly more accessible for me after my first love affair, and how a story about separation climbed in personal relevance after my first break-up. Likewise, I anticipate that books or movies about having children (or raising them, or losing them) will touch me deeper once I get my own children, no matter how well the writer conveys his feelings.
Crime and Punishment will affect you stronger if you've experienced severe guilt. People who've struggled together to overcome economical hardships might appreciate Grapes of Wrath better than those who haven't.
Some things you need to have gone through, touched and smelled and dealt with, and if you haven't you can only hope to imagine what it must be like.
All people can relate to losing and missing someone, but not all can easily relate to the practice of eating a human heart...
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